[et_pb_section fb_built=”1″ _builder_version=”3.22″][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.4.1″ background_color=”rgba(224,205,172,0.15)” width=”100%” custom_margin=”-20px|0px|0px|-20px|false|false” custom_padding=”0px|0px|0px|0px” z_index_tablet=”500″ border_radii=”on|9px|9px|9px|9px” border_width_all=”2px” border_color_all=”#e02b20″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” custom_margin__hover_enabled=”off|desktop”][et_pb_column type=”1_2″ _builder_version=”4.4.1″ custom_padding=”|0px||0px|false|true” hover_enabled=”0″ custom_padding__hover=”|||”][et_pb_audio audio=”www.grimmdoo.co.uk/wp-content/uploads/protools/knower37.mp3″ title=”Knower” album_name=”As you will all doubtless know, Noah was the bloke with the Ark. This song has absolutely nothing to do with him as you will quickly perceive upon spinning it forth. It’s a familar theme, about a romance going pear-shaped. It’s for a pal of mine and I like it though I’m not sure he does. ” admin_label=”Knower” _builder_version=”4.4.1″ title_level=”h5″ title_font=”|100||||||#000000|” title_text_align=”left” title_text_color=”#ffffff” title_font_size=”13px” title_line_height=”1em” caption_font_size=”11px” caption_line_height=”1.4em” background_color=”#222222″ text_orientation=”left” custom_margin=”-16px|0px|34px|0px|false|false” custom_padding=”6px|6px|6px|6px|false|false” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” caption_text_shadow_horizontal_length_tablet=”0px” caption_text_shadow_vertical_length_tablet=”0px” caption_text_shadow_blur_strength_tablet=”1px” border_radii_image=”on|2px|2px|2px|2px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” box_shadow_horizontal_image_tablet=”0px” box_shadow_vertical_image_tablet=”0px” box_shadow_blur_image_tablet=”40px” box_shadow_spread_image_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” saved_tabs=”all”][/et_pb_audio][/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.0.47″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_audio audio=”www.grimmdoo.co.uk/wp-content/uploads/protools/BigOcean20-LR.mp3″ title=”Big Ocean” album_name=”Rabbit, rabbit. This is for the Earth Rise Stage Musical Album. I love it. ” admin_label=”Big Ocean” _builder_version=”4.4.1″ title_level=”h5″ title_font=”|100||||||#000000|” title_text_align=”left” title_text_color=”#ffffff” title_font_size=”13px” title_line_height=”1em” caption_font_size=”11px” caption_line_height=”1.4em” background_color=”#222222″ text_orientation=”left” custom_margin=”-16px|0px|34px|0px|false|false” custom_padding=”6px|6px|6px|6px|false|false” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” caption_text_shadow_horizontal_length_tablet=”0px” caption_text_shadow_vertical_length_tablet=”0px” caption_text_shadow_blur_strength_tablet=”1px” border_radii_image=”on|2px|2px|2px|2px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” box_shadow_horizontal_image_tablet=”0px” box_shadow_vertical_image_tablet=”0px” box_shadow_blur_image_tablet=”40px” box_shadow_spread_image_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” saved_tabs=”all”][/et_pb_audio][/et_pb_column][/et_pb_row][/et_pb_section]

[et_pb_section fb_built=”1″ _builder_version=”3.22″][et_pb_row _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.3.4″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” hover_enabled=”0″]The ‘Morgan’ Album was produced for me by Lou Reizner in London in 1970 and then released in America. Some time later, in 1971, I sat with The Bird (aka Warren Samet) in our Miami apartment while he wrote these liner notes for it:

Dave Morgan is among the new wave of lyrical, acoustical folk-rock performers who have taken the recording industry by storm. Forceful, earthy, and yet gentle he is an artist who fell into the musical pudding rather by accident at the ripe age of twenty-two. Now twenty-eight, he is a veteran of several rock groups in England, still having manage to find the time to write two hit songs, ‘Mary Collinto’ and ‘Something’ plus all the songs on a soon-to–be-released LP by a new group, Wishful Thinking.
Dave has a deceptively rangy voice and the ability to call upon a throaty, gravel-like quality which can change in a moment to a sound that is soft and sensitive. Virtually self-taught, he assembles things which he has heard with things that he feels, and comes up with a sound that is distinctly Dave Morgan.
The Bird

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The Secret Album was recorded in conditions of discretion which have remained to this day. Some would call it absolute secrecy, but anyway it’s time Jim and I put and end to all that cloak and dagger stuff.
However, we are still not sure if the studio was ever paid for, so we don’t want to draw too much attention, you understand.
After all, we’ve survived obscurity for this long, it isn’t so terrible. Hence our marketing strategy has consisted of furtively passing CDs to people inside plain brown paper bags. In case of trouble and in order to spread the blame, Jim and I would like to point out that Richard Tandy was the producer and that we were immensely egged on by guitarist and vocalist Bob Daffurn (born with magic fingers and a left-handed guitar). Steve Wheate was also heavily complicit in the proceedings, both with encouragements and the wonderful throb from his drumkit.
Dave

Sorry. Still Under construction:

Yes I know it’s an old chestnut but cut me some slack. Come back in a bit …
Thanx!

Well it’s true. The biggest talking point is that I was once part of the stage line up of the cosmic British band ELECTRIC LIGHT ORCHESTRA (ELO), and also I was the writer of a top ten Pan-European hit (‘Hiroshima’ sung by Sandra). I did a whole bunch of work with Richard Tandy, ELO’s keyboard player, most notable being the album EARTH RISE and my name is on ELOs SECRET MESSAGES and Jeff Lynne’s ARMCHAIR THEATRE album. But all that was way back and now things have changed beyond recognition.
I’ve become a record company and a publisher too and I’m also the guy who licks the stamps and makes the tea. Phew! – As well as all that I’m down in the boiler room doing my proper job – writing, recording, playing gigs and loving every minute of it! I record all my songs at my home studio, affectionately known as ‘Grimm Doo’ (legend has it that the mixing desk used to growl at people. But that was years ago. Now I use Protools software. The desk has gone but the name ‘Grimm Doo’ remains). When I’m not doing music, I teach people to fly aeroplanes down at Wellesbourne airfield near Stratford-on-Avon. The bottom line is I am a writer – of songs mostly but also books and sermons too.